If you're willing to invest a couple of hours to make your portrayal immeasurably less degrading than what we usually get, I can show you how not to do it in three essays and a pamphlet. They're not purely hatchet jobs, there is also discussion of the writers who did their research, exercised the tiniest sliver of empathy and somehow managed to create normal, fully-human blind characters. I would just add the proviso that all but one of these essays deal with fiction from the mid-to-late twentieth century and earlier, largely novels and plays written in English, I rarely read books about blind people so I don't know if there has been any improvement in the intervening decades.
* Sheri Wells-Jensen:
$1 (2016)
* Deborah Kent:
$1 (1988)
* Kenneth Jernigan:
$1 (1974, I know the title sounds paranoid by today's standards but keep in mind that depictions back then were almost uniformly ignorant and condescending, more noxious than you or I will ever know! I wish he had expanded on the elusive "tenth theme" of ordinary blind people just livin' life [See Endnote #23], for that we can turn to either Kent above or…)
* Jacob Twersky:
$1 (1955). Here I would like to draw your attention to the glowing terms with which he speaks of Wilkie Collins's Poor Miss Finch, a novel whose main character has the distinction of being "one of the most normal persons among the sightless characters in literature", he says this despite Collins's nonsensical little musings on how he imagines The Blind™ go about Their lives. We don't mind if you make small mistakes regarding our cane travel or computer use techniques, as a seeing writer it's basically inevitable since you don't have the lived experience to create a flawless narrative, what matters is that your blind character is generally treated with dignity and respect, as a regular person with human agency who can take care of themselves and understands the world around them.)